Tokyo- Japan

Japan unfolds like a delicate, living haiku, a land of striking contrasts and exacting precision, where subtle details and vivid juxtapositions define every corner. The streets are immaculate, meticulously maintained, reflecting a deep cultural respect for cleanliness and order. Neon lights pulse in the night like slow heartbeats, while temple bells ring softly at dawn, mingling with the distant hum of trains arriving precisely on schedule. The scent of incense drifts through narrow alleys, blending with the fresh, cool air that carries faint notes of cherry blossoms in spring or crisp leaves in autumn. Life in Japan moves with measured rhythm, each moment orchestrated down to the second, from the silent bow of a shopkeeper to the coordinated efficiency of the subway system.

Rituals thread through daily existence — from morning cleansing at shrines to quiet offerings left on family altars. This reverence for tradition operates seamlessly alongside cutting-edge technology, creating a harmony where the ancient and modern coexist in tension and balance.

Years spent living in Japan drew me into a world where bodies and movement carry stories of impermanence, loss, and transformation. Each day deepened my understanding of how death and remembrance are quietly interwoven into life here, present in both public ceremonies and private practice.

Tokyo presents a striking mix of history and hypermodernity, where centuries-old temples stand beside sleek, automated columbaria. The Ruriden Buddhas of Light glow softly in sanctuaries, golden figures suffused with a serene, otherworldly presence. At Kuramae Ryoen Columbarium, robotic systems glide silently, presenting drawers that house cremains with meticulous care, blending futuristic technology with quiet reverence. White Lotus Hall (Shinjuku Ruriko / Byakurenge-dō) offers a tranquil space for prayer and reflection, its rows of small altars and lanterns evoking devotion and remembrance. Quiet rows of Jizō statues, clothed in red bibs and hats and scattered throughout temples, shrines, and roadside corners across Japan, watch over the souls of lost children with gentle vigilance.

Beneath this calm, ordered exterior lies a darker rhythm: the epidemic of lonely deaths, known in Japanese as
kodokushi (孤独死), where lives end in isolation, sometimes undiscovered for days or weeks. Suicide and solitude cast long shadows across private homes, often shrouded in silence and stigma. These deaths are rarely acknowledged openly, a stark contrast to the care and ritual evident in other aspects of life, highlighting the complex and sometimes contradictory ways Japanese society engages with death and memory.

In Japan, death exists quietly, often unspoken and kept at a distance, yet deeply woven into rituals and daily practice. It shapes moments both public and private, carried through silent prayers and understated acts that feel tender, precise, and deliberate. This complex relationship has shaped my perspective, inviting close attention to the ways grief, memory, and presence are lived beneath the surface.

 命は水のように流れ、死はその流れの一部である。
Life flows like water, and death is a part of that flow.

** Please note- Access to the content in each box below is now restricted as it’s part of a future body of work **

A Buddhist shrine room with a golden Buddha statue at the center, surrounded by blue and green onyx or glass blocks and colorful flower designs on the floor.
Ruriden: Buddhas of Light and Code
Multiple lit incense sticks burning in a round container filled with ash and small debris.
Kotsuage: Bone, Chopsticks, and Embodied Farewell
Close-up of wooden plaques with Japanese writing displayed behind wooden slats.
Kuramae Ryoen: Minimalism and the Mechanised Afterlife
A traditional Japanese two-story wooden building on a corner, with a tiled roof, surrounded by power lines and a crosswalk in front.
Kodokushi and the interview with the Trauma Cleaners of Aftermath
Stone statues of children with red knitted hats and pink paper collars, decorated with colorful artificial flowers and placed along a concrete ledge.
Little Buddhas in Bibs: Mizuko Kuyō and the Lost Children
Two lit candles, one white and one pink, with Japanese characters written on them, hanging from a metal grate outdoors with green foliage in the background.
Suicide, Silence, and Ritual Repair
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